Biography

Stéphanie Bozzini

  • Montréal, Québec, 1974
  • Performer (viola)

Stéphanie Bozzini is a founding member of the Bozzini Quartet, a new music string quartet which performs regularly in major festivals throughout Canada, the United States, Europe and South America. Her curiosity and interest in a number of musical styles, from historically informed period instrument playing to contemporary improvisation, have led her to become a remarkably versatile musician.

Solo performances include Huddersfield (UK), Ostrava Days Festival (Czech Rep), NY MUSIK (Sweden), and REDCAT CalArts (Los Angeles). She is principal viola with Arion, and plays regularly with other baroque music groups including Tafelmusik, Theatre of Early Music and SMCQ. Stéphanie has been a long-time collaborator with contemporary ensembles Bradyworks and Kore, as well as Ensemble Lunaire (Zürich). Major orchestral engagements include the Tonhalle of Zurich and the Winterthurer Stadtorchester, and chamber orchestras such as I Musici and Les Violons du Roy. Other chamber music projects have led to performances at The Banff Centre for the Arts, the Tonhalle Zurich, and the Festival des Îles du Bic. Stéphanie Bozzini teaches viola at the Music Department, Concordia University in Montréal.

[source: www.quatuorbozzini.ca] [iv-13]

On Disc

  • A Canada Council for the Arts commission, dedicated to Quatuor Bozzini…
  • A Canada Council for the Arts commission, dedicated to Quatuor Bozzini…
  • The first in the Canadian Composers Series of CDs is a double album of chamber works by Linda Catlin Smith, who was born in New York, but studied in Canada and has lived in Toronto for over 25 years…
  • The five pieces on this disc span roughly twenty years: Lullaby was written in 1991, and fall in 2013…
  • The five pieces on this disc span roughly twenty years: Lullaby was written in 1991, and fall in 2013…
  • “It has been my conviction for a number of years that Music (and Art in general) must simply assume the humble task of describing its own end, or at any rate its gradual extinction,” wrote Italian maestro Aldo Clementi (1925—2011) in 1973…
  • “It has been my conviction for a number of years that Music (and Art in general) must simply assume the humble task of describing its own end, or at any rate its gradual extinction,” wrote Italian maestro Aldo Clementi (1925—2011) in 1973…
  • The string quartet sounds sometimes like the silence of a square, a room, a wall or a landscape…
  • A new vision of John Cage, via his complete works for string quartet…
  • A new vision of John Cage, via his complete works for string quartet…
  • A vibrant portrait of the state of the art in Canadian new music…
  • I think of my fundamental activity as a musician as listening, especially to music…
  • Sehr langsam “Very slow” — a tempo indication, as well as the title of this piece…
  • Le Mensonge et l’Identité, written with four hands by the duo Derome/Hétu, was premiered at Deutschlandfunk’s Forum Neue Musik in 2008…
  • Bozzini Quartet joins forces with composer Michel Gonneville for a unique contemporary opera on the “hot” issue of the ecological crisis, based on the thoughts of eminent Quebecois ecologist Pierre Dansereau…
  • The sixth volume of the collection, Arbor Vitæ, pays homage to the Canadian-American composer James Tenney with performances of the complete quartets and quintets…
  • Two contemporary artists, each strong and distinct…
  • “Material can be anonymous…
  • On October 13th, 2005 DAME is proud to present the second Collection QB release: Different Trains by Steve Reich performed by Bozzini Quartet…
  • Moving freely from avant-garde events to traditional concerts, the Bozzini Quartet was characterized by the Irish Times as a “group which gets its teeth into music: quiet or loud, fast or slow, these Canadian musicians play with compelling engagement…